In 1968, the year of this song's release, ours was a world trying to reorder itself, the civil rights movement was under way in the US, there were protests across Europe, and Apollo 8 allowed us to see Earth in its entirety from space.

Legend's song also came at the end of a decade, written over a three-year stretch in which the magnitude of events meant that life perhaps seemed to gather speed – Vietnam, the assassinations of Malcolm X, Martin Luther King and Bobby Kennedy, riots in LA, New York and, of course, Detroit. Perhaps, never seemed to pass by so keenly. Shakespeare was writing at the end of the 16th century, in an age when time had become increasingly mechanised, its measurements more accurate, and for the first time, clocks began to have minute hands – the sonnet's name is thought to reference the number of seconds in a minute.

Sonnet 60 is itself a song, of sorts, about life's 'precious minute'. Legend's second verse, 'I'm just a pebble on the beach and I sit and wonder why/ Little people running around/ Never knowing why,' for example, seems to echo Shakespeare's lines: 'Like as the waves make towards the pebbled shore/ So do our minutes hasten to their end / Each changing place with that which goes before,/ In sequent Like many pop songs, there's something of the sonnet about Time Will Pass You By it's there in the song's intention of course, but there is something about Legend's track that has always reminded me specifically of Shakespeare's Sonnet 60. 'Open up your eyes and see it baby/ Give yourself a better chance/ Because time will pass you/ Right on by.' Remonstration of sorts, or a call to arms: 'Life is just a precious minute baby,' it yells. Its verses cut a melancholy figure, its opening lines reflecting on the steady turn of the world: 'Passing seasons ever fade away/ Into misty clouds of autumn grey/ As I sit here looking at the street/ Little figures, quickly moving feet.' And then in zaps the chorus, a Mother country … Thank you northern soul, so much.' 'After that, I don't know what happened,' Rhys says, 'but somehow it got to England … and it was successful. History of Time Will Pass You By's composition and recording before it was seemingly lost. 'I didn't even know it had been released until 1982,' he laughs, detailing the Earlier this week, I found a podcast in which Rhys talks about writing the song. This track was released in 1968, and written by the English-born engineer John Rhys, but it did little commercially until it was picked up by northern soul clubs in Britain. She began her career in Detroit, more commonly recording as Tobi Lark, and singing backing vocals for artists such as BB King and Wilson Pickett, Duke Ellington, Ben E King and Cannonball Adderley. Legend was born Bessie Grace Upton in Alabama, the daughter of the gospel singer Emma Washington. It is somehow undiluted by the schmaltz of Radcliffe's track, or the hey-ho-on-we-go of Parrish's number, and instead is simply a song about seeing the preciousness of life, about trying to live our lives better and brighter. It's the Tobi Legend track I have always loved most. Legend, followed with Long After Tonight Is All Over by Jimmy Radcliffe, and ended with I'm On My Way by Dean Parrish.

The sequence opened with Time Will Pass You By by Tobi The final three records traditionally played at Wigan Casino's northern soul all-nighters were known as the Three Before Eight, and fittingly, for the closing notes of the night, all three were concerned with the passing of time.

Geo-spatial location, chronological period, research sample (gender, age, etc.An interesting and thought provoking article from today's Guardian no less, that compares one of our scenes most memorable tunes with one of Shakespeare's sonnets. (year)Įquinox eBooks Publishing The Northern Soul Scene Previous bodies of work include documenting the emergence of The Wigan Young Souls whose attitude, aesthetic & dynamism provide a contemporary insight evocative of the original scene as an underground youth movement. Through his work, Richard seeks to harness the unsurpassed power & immediacy of the photographic image to record the intense physicality & emotional connection between dancer & music - as both a deeply personal & collective experience. The photographs chosen for this dossier focus on current participation within the Northern Soul scene and bring together images from a range of British and European events, focusing on the multigenerational nature of contemporary Northern Soul participation. Northern soul English music soul music dance music northern England midlands Photographic Dossier (3) - The Northern Soul Scene

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